What Is A Camera Mount
A lens mount is an interface – mechanical and often also electrical – between a photographic photographic camera body and a lens. It is a feature of camera systems where the body allows interchangeable lenses, most usually the rangefinder camera, unmarried lens reflex type, unmarried lens mirrorless blazon or whatever movie photographic camera of xvi mm or higher judge. Lens mounts are too used to connect optical components in instrumentation that may not involve a photographic camera, such as the modular components used in optical laboratory prototyping which join via C-mount or T-mount elements.
Mount types [edit]
A lens mount may be a spiral-threaded blazon, a bayonet-type, or a breech-lock (friction lock) type. Modern withal camera lens mounts are of the bayonet type, because the bayonet mechanism precisely aligns mechanical and electric features between lens and body. Spiral-threaded mounts are fragile and do not align the lens in a reliable rotational position, still types such as the C-mountain interface are still widely in use for other applications like video cameras and optical instrumentation.
Bayonet mounts generally have a number of tabs (often 3) around the base of the lens, which fit into appropriately sized recesses in the lens mounting plate on the front of the camera. The tabs are often "keyed" in some manner to ensure that the lens is only inserted in one orientation, often by making ane tab a different size. Once inserted the lens is fastened by turning it a modest amount. It is so locked in place by a leap-loaded pin, which can be operated to remove the lens.
Lens mounts of competing manufacturers (Sony, Nikon, Canon, Contax/Yashica, Pentax, etc.) are virtually always incompatible. In addition to the mechanical and electrical interface variations, the flange focal distance from the lens mount to the film or sensor tin as well be different. Many[ who? ] allege that these incompatibilities are due to the desire of manufacturers to "lock in" consumers to their brand.[ commendation needed ]
In movie cameras, the two virtually pop mounts in current usage on professional digital cinematography cameras are Arri's PL-mount and Panavision'south PV-mount. The PL-Mount is used both on Arri and Scarlet digital cinematography cameras, which as of 2012[update] are the most used cameras for films shot in digital. The Panavision mounts are exclusively used with Panavision lenses, and thus are only available on Panaflex cameras or third-party cameras "Panavised" by a Panavision rental house, whereas the PL-mount fashion is favored with near other cameras and cinematics lens manufacturers. Both of these mounts are held in place with locating pins and friction locking rings. Other mounts which are now largely historical or a minority in relation to current practices are listed below.
List of lens mounts [edit]
Mount name | Flange focal distance | Frame size | Throat or thread bore | Mount thread pitch | Mount blazon | Main use | Camera lines |
---|---|---|---|---|---|---|---|
Canon SV | 32.00 mm | Bayonet | Photography (Digital) | Canon RC-701 & 760 | |||
Canon EX | 20 mm | one/2" | Bayonet | Photography | |||
Canon FL | 42 mm | 35 mm | 48 mm | Breech lock | Photography | ||
Canon FD | 42 mm | 35 mm | 48 mm | Breech lock | Photography | Canon F series, A series, and T series SLRs | |
Canon FDn (a.grand.a. "New FD") | 42 mm | 35 mm | 48 mm | Bayonet | Photography | completely interchangeable with earlier FD lenses | |
Canon EF | 44.00 mm | 35 mm | 54 mm[1] | Bayonet | Photography | Canon EOS 35mm film SLR, Full Frame & APS-H DSLR | |
Canon EF-S | 44.00 mm | APS-C | 54 mm | Bayonet | Photography (Digital) | Catechism EOS APS-C DSLR | |
Canon EF-G | 18 mm | APS-C | 47 mm | Bayonet | Photography (Digital) | Catechism EOS G series Mirrorless APS-C Cameras | |
Catechism RF | 20 mm | 35 mm | 54 mm | Bayonet | Photography (Digital) | Canon EOS R serial Full Frame Mirrorless Cameras | |
Nikon South | 34.85 mm | 35 mm | 49 mm | Bayonet | Photography | Nikon Rangefinder | |
Nikon F | 46.5 mm | 35 mm | 44 mm[ii] | Bayonet | Photography | Nikon F 35mm film SLR, Full Frame & APS-C DSLR | |
Nikon 1 | 17 mm | 13.2 x eight.8mm | 40 mm | Bayonet | Photography (Digital) | Nikon 1 serial | |
Nikon Z | xvi mm | 35 mm | 55 mm | Bayonet | Photography (Digital) | Nikon Z - Mirrorless Total Frame & APS-C | |
Sony Mavica | 57 mm | Bayonet | Photography (Digital) | ||||
Sony E | FE | eighteen mm | 35 mm and APS-C | 46.1 mm (1.815 inch) | Bayonet | Photography (Digital) | Sony E/FE Mountain Blastoff Mirrorless Full Frame / APS-C| Sony NEX Mirrorless APS-C | |
Minolta SR | 43.50 mm | 35 mm | 44.97 mm | Bayonet (54°) | Photography | Minolta SR/MC/Physician | |
Minolta Five | 38.00 mm | APS-H | 39.seven mm | Bayonet | Photography | Minolta Vectis | |
Minolta A | 44.50 mm | 35 mm and APS-C | 49.7 mm (1.939 inch) | Bayonet (54°) | Photography | Minolta DSLR AF/Blastoff/Dynax/Maxxum Sony DSLR Alpha (α) A Mount | |
Pentax Automobile 110 | 27 mm | 110 flick | Bayonet | Photography | |||
Pentax Q | 9.2 mm | 1/two.3", 1/1.7" | 31 mm | Bayonet | Photography (Digital) | ||
Pentax K | 45.46 mm | 35 mm and APS-C | 44 mm | Bayonet | Photography | Used also by Ricoh, Chinon, Agfa, Vivitar and KMZ Zenit cameras | |
Leitz Visoflex I | 91.three mm | 35 mm | M39 | 26 TPI | Spiral | Photography | |
Leitz Visoflex II/3 | 67.8 mm | 35 mm | 44 mm | Bayonet (Leica M) | Photography | ||
Leica K | 27.lxxx mm | 35 mm | 44 mm | Bayonet | Photography | Leica M serial Leica CL Minolta CLE | |
Leica R | 47.00 mm | 35 mm | 49 mm | Bayonet | Photography | ||
Leica L | 20 mm | 35 mm and APS-C | 51.6 mm | Bayonet | Photography (Digital) | L-Mountain Alliance (Leica, Panasonic and Sigma Mirrorless) | |
Contax RF | 34.85 mm | 35 mm | 44 mm | Double bayonet | Photography | Contax I, 2, III, IIa, IIIa Kiev rangefinders | |
Contax G | 29.00 mm | 35 mm | 44 mm | Breech lock | Photography | ||
Contax N | 48 mm | 35 mm | 55 mm | Bayonet | Photography | ||
Contax/Yashica | 45.5 mm | 35 mm | 48 mm | Bayonet | Photography | Yashica/Contax | |
Yashica MA | ~45.8 mm | 35 mm | Bayonet | Photography | Kyocera Yashica 230 AF etc. | ||
Fujica X | 43.5 mm | 35 mm | 49 mm | Bayonet | Photography | Fujica-X | |
Fujifilm X | 17.7 mm | APS-C | 44 mm | Bayonet | Photography (Digital) | Fujifilm X series mirrorless | |
Olympus Pen F | 28.95 mm | 35 mm half-frame | Bayonet | Photography | |||
Olympus OM | 46 mm | 35 mm | 46 mm | Bayonet | Photography | ||
Four Thirds | 38.67 mm | 17.3 mm × 12.98 mm | ~44 mm[A] | Bayonet | Photography (Digital) | Olympus E Panasonic Lumix DMC-L Leica Digilux | |
Micro Four Thirds | 19.25 mm | 17.iii mm × 12.98 mm | ~38 mm[A] | Bayonet | Photography (Digital) | Olympus Pen & OM-D series Panasonic G, GF, GX & GH Serial Blackmagic Design Movie house Camera | |
KM | 28 mm (27.80 mm?) | 35 mm | 44 mm | Bayonet | Photography | Konica Hexar RF | |
Konica F | xl.l mm | 35 mm | forty mm | Bayonet | Photography | Konica F | |
Konica AR | 40.l mm | 35 mm | 47 mm | Bayonet | Photography | Konica Autoreflex | |
Samsung NX mini | 6.95 mm | ane" | 38 mm | Bayonet | photography (Digital) | ||
Samsung NX | 25.five mm | APS-C | 42 mm | Bayonet | Photography (Digital) | ||
Samsung Kenox | 44.five mm | 35 mm | Bayonet | Photography | Manual focus only; in that location is just one compatible photographic camera - Samsung Kenox GX-one/Samsung SR4000. | ||
Icarex BM | 48.00 mm | 35 mm | mm | Breech lock | Photography | Icarex 35S | |
D | 12.29 mm | 8 mm | 15.88 mm (0.625 inch) | 32 TPI | Screw | Cinematography | |
CS | 12.52vi mm[3] | 1/iii" , 1/2" | 25.40 mm (1 inch) | 32 TPI | Screw | Cinematography / Industrial | |
C | 17.526 mm (0.69 inches) | 1/2" , xvi mm, 2/3" , ane" | 25.40 mm (ane inch) | 32 TPI | Screw | Cinematography / Industrial | |
S (a.k.a. M12) | No Flange. Back focal distance from <1mm to 12mm. | 1/6" to 1" | 12 mm | 0.five mm pitch | Spiral | CCTV, PCB | Edmund Eyes μ-Video |
Bolex Bajonet | 23.22 mm | 16 mm | Breech lock | Cinematography | constructive focal distance 17.526 mm (0.69 inches) due to beam splitter behind mount flange (accepts C-mount lenses with adapter) | ||
1/3" bayonet mountain | 25 mm | 1/three" (five.24x2.94) | Bayonet | Video | JVC professional video cameras | ||
M39 (a.1000.a. L-Mountain, LTM) | 28.fourscore mm | 35 mm | M39 | 26 TPI | Spiral | Photography | Leica M39 screw mountain |
Narciss | 28.8 mm | sixteen mm | M24 | 1 mm | Screw | Photography | |
1/2" bayonet mount | 37.80 mm | 1/2" (vi.97x3.92) | Bayonet | Video | Not-Sony professional video cameras | ||
Alpa | 37.80 mm | 35 mm | 42 mm | Bayonet | Photography | ||
Sony 1/2" Video | 38 mm | 1/ii" (half-dozen.97x3.92) | Bayonet | Video | Sony professional video cameras | ||
Aaton universal | twoscore mm | 16 mm | 50 mm | Breech lock | Cinematography | ||
Miranda bayonet/M44 | 41.5 mm | 35 mm and APS-C | Bayonet | Photography | Miranda Camera Company | ||
Petriflex | 43.5 mm | 35 mm | Breech lock | Photography | |||
Sigma SA | 44.00 mm | 35 mm | 44 mm | Bayonet | Photography | Sigma SA | |
Paxette | 44 mm | 35 mm | M39 | 1 mm | Screw | Photography | |
Praktiflex | 44 mm | 35 mm | M40 | 1 mm | Screw | Photography | |
Praktica | 44.twoscore mm | 35 mm | 42 mm | Bayonet | Photography | ||
Exakta, Topcon RE | 44.7 mm | 35 mm | 46 mm | Bayonet | Photography | ||
Zenit M39 | 45.2 mm | 35 mm | M39 | i mm | Screw | Photography | |
M37 | 45.46 mm | 35 mm | 37 mm | ane mm | Screw | Photography | Asahiflex |
M42 | 45.46 mm | 35 mm | 42 mm | 1 mm | Screw | Photography | Praktica,[4] Pentax, Zenit |
B4-mount | 48 mm | 2/3" (9.vix5.4) | Bayonet | Video | Professional and broadcast video cameras | ||
Praktina | 50 mm | 35 mm | 46 mm | Breech lock | Photography | ||
T-Thread (Very earliest type) | fifty.7 mm | 35 mm | M37 | 0.75mm | Spiral | Photography | Tamron |
Adapt-A-Matic | l.7 mm | 35 mm | 54 mm | Bayonet | Photography | Tamron | |
Adaptall & Adaptall-2 | 50.vii mm | 35 mm | 54 mm | Bayonet | Photography | Tamron | |
Arri standard | 52 mm | 35 mm and xvi mm | 64 mm | Tab lock | Moving pictures | ||
Arri bayonet | 52 mm | 35 mm and 16 mm | 64 mm | Bayonet | Cinematography | ||
Arri PL | 52 mm | 35 mm and 16 mm | 54 mm | Breech lock | Cinematography | ||
Arri LPL | 44 mm | Arri LF | 62 mm | Breech lock | Cinematography | ||
Arri Maxi PL | 52 mm | 70 mm | 64 mm | Cinematography | |||
T | 55 mm | 35 mm | 42 mm | 0.75 mm | Screw | Photography | Tamron |
YS Auto T-Thread | 55 mm | 35 mm | 42 mm | 0.75 mm | Spiral | Photography | Sigma Corporation |
T-thread | 55 mm | 35 mm | 47 mm | 0.75 mm | Spiral | Photography | Tokina |
H-Mount | 55 mm | 35 mm | 47 mm | 0.75 mm | Spiral | Photography | Hanimex (rebranding of Tokina M47) |
Panavision PV | 57.15 mm | 35 mm | 49.5 mm | Breech lock | Cinematography | ||
B3-mount | 58 mm | 2/3" | Reverse bayonet | Video | Ikegami | ||
Mitchell BNCR | 61.468 mm | 35 mm | 68 mm | Breech lock | Cinematography | ||
Zeiss Panflex 5522/23 for Contax RF | 64.50 mm | 35 mm | Double bayonet | Photography | |||
Kowa Six/Super 66 | 79 mm | 6×six | Breech lock | Photography | |||
Hasselblad | 74.9 mm | half dozen×6 | 69 mm | Bayonet | Photography | ||
Hasselblad Xpan | 34.27 mm | 35 mm panoramic | 46 mm | Bayonet | Photography | ||
Bronica ETR | 85 mm | six×4.five | mm | Bayonet | Photography | ||
Bronica RF | mm | half-dozen×four.v | mm | Bayonet | Photography | ||
Bronica SQA | 101.7 mm | 6×half dozen | 57 mm | Bayonet | Photography | ||
Bronica GS1 | 85 mm | 6×7 | fourscore.five mm | Bayonet | Photography | ||
Mamiya 645 | 63.three mm | 6×iv.5 | 62 mm | Bayonet | Photography | ||
Mamiya 6 | 56.2 mm (approx.)[5] | 6×6 | mm | Bayonet | Photography | ||
Mamiya 7/7II | 59 mm (approx.) | 6×7 | 49 mm[6] | Bayonet | Photography | ||
Mamiya RZ67 | 105 mm | half-dozen×7 | 60 mm | Bayonet | Photography | ||
Mamiya RB67 | 112 mm | 6×vii | 60 mm | Bayonet | Photography | ||
Mamiya ZE | 45.5 mm | 35 mm | Bayonet | Photography | |||
Mamiya/Sekor E | 43.5 mm | 35 mm | 49 mm | Bayonet | Photography | ||
Pentax 645 | 70.87 mm | 6×4.5 | 61.ii mm | Bayonet | Photography | ||
Pentax 6x7 | 84.95 mm | 6×vii | 72 mm | Bayonet | Photography | ||
Pentacon Half dozen | 74.1 mm | 6×6 | 60 mm | Breech lock | Photography | ||
Fujifilm Thousand | 26.seven mm | 43.8x32.9 mm | 65 mm[7] | Bayonet | Photography (Digital) | Fujifilm GFX series | |
Rolleiflex SL66 | 102.eight mm | 6×six | Bayonet | Photography | |||
Rolleiflex SL35 | 44.46 mm | 35 mm | 46 mm | Bayonet | Photography | ||
RMS thread, society thread | 150/180 mm | 0.8", Whitworth | 36 tpi | Screw | Microscope | older microscopes | |
Leica Nikon Biological | Unknown | M25 | 0.75 mm | Screw | Microscope | ||
BD Mount | Unknown | M26 | 0.seven mm | Screw | Microscope | Mitutoyo Olympus BD Nikon BD | |
Zeiss | Unknown | M27 | 0.75 mm | Screw | Microscope |
For small camera modules, used in due east.k. CCTV systems and automobile vision, a range of metric thread mounts exists. The smallest ones tin can be found also in due east.g. cellphones and endoscopes. The nearly mutual by far is the M12x0.5, followed by M8x0.v and M10x0.5.[8]
- M4.2x0.2 (one/7" sensors)
- M4.6x0.25 (one/5", two.4mm, 3.8mm sensors, industrial endoscopes)
- M5x0.35 (1/6", 1/v" sensors)
- M5.5x0.35 (1.7", 1/5.8", 1/five", ane/4" sensors)
- M6x0.35 (one/4", five.2mm, four.85mm sensors)
- M6.4x0.25 (1/three" sensors)
- M7x0.35 (i.8", i.seven", 1/6", i/5", 1/4", i/3.6", i/3.2", one/two.vii", 4.85mm sensors)
- M8x0.35 (1/4", one/3" sensors)
- M8x0.five (ane/5", 1/four", one/3" sensors; sometimes occurs in diode laser modules)
- M9x0.5 (i/2.7", 1/3", 1/3.2" sensors; also commonly encountered in diode light amplification by stimulated emission of radiation modules)
- M10x0.5 (one/4", 1/3" sensors)
- M12x0.5 (the S-mountain, listed in the tabular array)
- M22x0.5 (1/1.two" sensors)
Focusing lens mount [edit]
The axial adjustment range for focusing Ultra wide angle lenses and some Broad-bending lenses in big format cameras is usually very pocket-sized.
So some manufacturers (eastward.g. Linhof) offered special focusing lens mounts, so-called broad-angle focusing accessories for their cameras. With such a device, the lens could be focused precisely without moving the entire front standard.
Secondary lens mount [edit]
Secondary lens refers to a multi-element lens mounted either in front of a camera's principal lens, or in between the camera body and the chief lens.
(D)SLR camera & interchangeable-lens manufacturers offer lens accessories like extension tubes and secondary lenses similar teleconverters, which mount in between the camera body and the primary lens, both using and providing a principal lens mount. Various lensmakers likewise offer optical accessories that mount in front of the lens; these may include broad-angle, telephoto, fisheye, and close-up or macro adapters.
Canon PowerShot A and Catechism PowerShot G cameras have a congenital-in or not-interchangeable primary (zoom) lens, and Canon has "conversion tube" accessories available for some Canon PowerShot camera models which provide either a 52mm or 58mm "accessory/filter" spiral thread. Canon'due south close-upwards, wide- (WC-DC), and tele-conversion (TC-DC) lenses take 2, 3, and 4-element lenses respectively, so they are multi-element lenses and not diopter "filters".
Lens mountain adapters [edit]
Lens mount adapters are designed to attach a lens to a camera torso with non-matching mounts. By and large, a lens can be easily adapted to a camera body with a smaller flange focal distance past merely calculation space betwixt the camera and the lens. When attempting to adapt a lens to a camera torso with a larger flange focal altitude, the adapter must include a secondary lens in order to recoup. This has the side effect of decreasing the amount of light that reaches the sensor, as well as adding a crop factor to the lens. Without the secondary lens, these adapters will function every bit an extension tube and will not be able to focus to infinity.[9]
Run across also [edit]
- ISO metric screw thread
- Lens lath
Notes [edit]
^ A: The authoritative normative source for 4/iii standards information is Four-Thirds.Org and non third-party reviews.
4/3's published facts:
- "Size of the 4/3-blazon Sensor: The standard diagonal length of the sensor is 21.63 millimetres (0.852 in). It is half that of 35-mm motion-picture show format (36 millimetres (1.four in) x 24 millimetres (0.94 in) = 43.27 millimetres (i.704 in)) The prototype circle of the interchangeable lens is specified based on this diagonal length. The focal length is about a half that of a 135 film camera lens assuming the same angle of view."[x]
- "The foundation for the high picture quality of the Four Thirds organization is the lens mount, which is about twice the diameter of the image circle."[11]
- "Differences between 4 Thirds System mountain and Micro Four Thirds System mount: Mount diameter reduction; Equally a result of inquiry aimed at facilitating the design of compact, lightweight lenses while maintaining the electric current strength, the outer diameter of the lens mount has been reduced by approx. six millimetres (0.24 in). ... the Micro 4 Thirds Organization ... specifies the optimum flange back length required to reduce camera size and thickness, assuming the omission of the mirror box. The flange back length has been reduced to about 1/2 that of the Four Thirds Organisation."[12]
So:
NOTE: Some published reviews of four/three instead cite the (female) "outside diameter" of the lens or mount as ~50mm (and micro-iv/3 as ~44mm),[13] and non the appropriate major bore (D) ~44mm which is the camera body's female person mount inside-diameter and the lens'southward male mount exterior-diameter (micro-4/3 ~38mm).
References [edit]
- ^ "Camera Story – 1987–1991 EOS". Canon. Archived from the original on 2008-07-24. Retrieved 2008-07-22 .
- ^ "Debut of Nikon F". Nikon. Archived from the original on 2020-08-12. Retrieved 2020-10-26 .
- ^ Hornberg, Alexander (2007-02-27). Handbook of Machine Vision. John Wiley & Sons. ISBN9783527610143.
- ^ The M42 (Praktica) mount is sometimes referred to as a "P" thread. See, east.yard., "Questar Corporation: Photographic Photographic camera Adapters "P" Thread". Retrieved 2017-03-01 .
- ^ "Mamiya 6". www.kenrockwell.com.
- ^ "Camera Mounts Sorted by Annals". www.graphics.cornell.edu . Retrieved 2018-08-23 .
- ^ "FUJIFILM GFX 50S, Features". Fujifilm. Retrieved 2018-05-23 .
- ^ "cctvopticallens-m12 and cs mountain lens provider". www.cctvopticallens.com . Retrieved 3 April 2018.
- ^ "Lens mount compatibility chart". Retrieved 2016-11-29 .
- ^ "Most Iv Thirds, Standard, Whitepaper (Summary of Standard)". Four Thirds System. Archived from the original on 2009-03-07. Retrieved 2008-08-11 .
- ^ "Well-nigh 4 Thirds, Standard, Benefits of 4 Thirds". Four Thirds Organisation. Retrieved 2008-08-11 .
- ^ "Micro Four Thirds, Standard, Whitepaper (Summary of Standard)". 4 Thirds Organization. Retrieved 2008-08-11 .
- ^ "Olympus and Panasonic announce Micro 4 Thirds". Digital Photography Review.
Sources [edit]
- Markerink, Willem-Jan. "Camera mounts & registers".
External links [edit]
- SLR Mount Identification Guide
- List of Camera, Mountain Blazon and Annals for Mechanical & Optical Instruments
- https://web.archive.org/web/20081221083400/http://medfmt.8k.com/, Camera mounts & registers from Robert Monahan Medium Format Photography Megasite
- http://world wide web.markerink.org/WJM/HTML/mounts.htm, Camera mounts & registers from Willem-Jan Markerink
- Camera Mounts Sorted past Register
- Alphabetical List of Camera Mounts
- Nikon Lens Nomenclature – a study in frustration
- Adaptall-2.com
- DPReview Hands-on preview of Fujifilm 10-Pro1
- DPreview Hands-on preview of Canon EOS 1000
- Standard: GOST 10332-72 (in Russian) – M42×i/45.v, M39×one/28.8
- Standard: GOST 10332-63 (in Russian) – M39×1/45.ii (aka «Z39»), M39×i/28.viii, bayonet «C» (cameras: «Zenit-5», «Zenit-6», «Zenit-7»), bayonet «Zenit-7» (in Russian)
Source: https://en.wikipedia.org/wiki/Lens_mount
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