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What Is A Camera Mount

Interface between a camera body and lens

Lenses sold per twelvemonth by mountain type

A lens mount is an interface – mechanical and often also electrical – between a photographic photographic camera body and a lens. It is a feature of camera systems where the body allows interchangeable lenses, most usually the rangefinder camera, unmarried lens reflex type, unmarried lens mirrorless blazon or whatever movie photographic camera of xvi mm or higher judge. Lens mounts are too used to connect optical components in instrumentation that may not involve a photographic camera, such as the modular components used in optical laboratory prototyping which join via C-mount or T-mount elements.

Mount types [edit]

A lens mount may be a spiral-threaded blazon, a bayonet-type, or a breech-lock (friction lock) type. Modern withal camera lens mounts are of the bayonet type, because the bayonet mechanism precisely aligns mechanical and electric features between lens and body. Spiral-threaded mounts are fragile and do not align the lens in a reliable rotational position, still types such as the C-mountain interface are still widely in use for other applications like video cameras and optical instrumentation.

Bayonet mounts generally have a number of tabs (often 3) around the base of the lens, which fit into appropriately sized recesses in the lens mounting plate on the front of the camera. The tabs are often "keyed" in some manner to ensure that the lens is only inserted in one orientation, often by making ane tab a different size. Once inserted the lens is fastened by turning it a modest amount. It is so locked in place by a leap-loaded pin, which can be operated to remove the lens.

Lens mounts of competing manufacturers (Sony, Nikon, Canon, Contax/Yashica, Pentax, etc.) are virtually always incompatible. In addition to the mechanical and electrical interface variations, the flange focal distance from the lens mount to the film or sensor tin as well be different. Many[ who? ] allege that these incompatibilities are due to the desire of manufacturers to "lock in" consumers to their brand.[ commendation needed ]

In movie cameras, the two virtually pop mounts in current usage on professional digital cinematography cameras are Arri's PL-mount and Panavision'south PV-mount. The PL-Mount is used both on Arri and Scarlet digital cinematography cameras, which as of 2012[update] are the most used cameras for films shot in digital. The Panavision mounts are exclusively used with Panavision lenses, and thus are only available on Panaflex cameras or third-party cameras "Panavised" by a Panavision rental house, whereas the PL-mount fashion is favored with near other cameras and cinematics lens manufacturers. Both of these mounts are held in place with locating pins and friction locking rings. Other mounts which are now largely historical or a minority in relation to current practices are listed below.

List of lens mounts [edit]

Mount name Flange focal distance Frame size Throat or thread bore Mount thread pitch Mount blazon Main use Camera lines
Canon SV 32.00 mm Bayonet Photography (Digital) Canon RC-701 & 760
Canon EX 20 mm one/2" Bayonet Photography
Canon FL 42 mm 35 mm 48 mm Breech lock Photography
Canon FD 42 mm 35 mm 48 mm Breech lock Photography Canon F series, A series, and T series SLRs
Canon FDn (a.grand.a. "New FD") 42 mm 35 mm 48 mm Bayonet Photography completely interchangeable with earlier FD lenses
Canon EF 44.00 mm 35 mm 54 mm[1] Bayonet Photography Canon EOS 35mm film SLR, Full Frame & APS-H DSLR
Canon EF-S 44.00 mm APS-C 54 mm Bayonet Photography (Digital) Catechism EOS APS-C DSLR
Canon EF-G 18 mm APS-C 47 mm Bayonet Photography (Digital) Catechism EOS G series Mirrorless APS-C Cameras
Catechism RF 20 mm 35 mm 54 mm Bayonet Photography (Digital) Canon EOS R serial Full Frame Mirrorless Cameras
Nikon South 34.85 mm 35 mm 49 mm Bayonet Photography Nikon Rangefinder
Nikon F 46.5 mm 35 mm 44 mm[ii] Bayonet Photography Nikon F 35mm film SLR, Full Frame & APS-C DSLR
Nikon 1 17 mm 13.2 x eight.8mm 40 mm Bayonet Photography (Digital) Nikon 1 serial
Nikon Z xvi mm 35 mm 55 mm Bayonet Photography (Digital) Nikon Z - Mirrorless Total Frame & APS-C
Sony Mavica 57 mm Bayonet Photography (Digital)
Sony E | FE eighteen mm 35 mm and APS-C 46.1 mm (1.815 inch) Bayonet Photography (Digital) Sony E/FE Mountain Blastoff Mirrorless Full Frame / APS-C| Sony NEX Mirrorless APS-C
Minolta SR 43.50 mm 35 mm 44.97 mm Bayonet (54°) Photography Minolta SR/MC/Physician
Minolta Five 38.00 mm APS-H 39.seven mm Bayonet Photography Minolta Vectis
Minolta A 44.50 mm 35 mm and APS-C 49.7 mm (1.939 inch) Bayonet (54°) Photography Minolta DSLR AF/Blastoff/Dynax/Maxxum
Sony DSLR Alpha (α) A Mount
Pentax Automobile 110 27 mm 110 flick Bayonet Photography
Pentax Q 9.2 mm 1/two.3", 1/1.7" 31 mm Bayonet Photography (Digital)
Pentax K 45.46 mm 35 mm and APS-C 44 mm Bayonet Photography Used also by Ricoh, Chinon, Agfa, Vivitar and KMZ Zenit cameras
Leitz Visoflex I 91.three mm 35 mm M39 26 TPI Spiral Photography
Leitz Visoflex II/3 67.8 mm 35 mm 44 mm Bayonet (Leica M) Photography
Leica K 27.lxxx mm 35 mm 44 mm Bayonet Photography Leica M serial
Leica CL
Minolta CLE
Leica R 47.00 mm 35 mm 49 mm Bayonet Photography
Leica L 20 mm 35 mm and APS-C 51.6 mm Bayonet Photography (Digital) L-Mountain Alliance (Leica, Panasonic and Sigma Mirrorless)
Contax RF 34.85 mm 35 mm 44 mm Double bayonet Photography Contax I, 2, III, IIa, IIIa
Kiev rangefinders
Contax G 29.00 mm 35 mm 44 mm Breech lock Photography
Contax N 48 mm 35 mm 55 mm Bayonet Photography
Contax/Yashica 45.5 mm 35 mm 48 mm Bayonet Photography Yashica/Contax
Yashica MA ~45.8 mm 35 mm Bayonet Photography Kyocera Yashica 230 AF etc.
Fujica X 43.5 mm 35 mm 49 mm Bayonet Photography Fujica-X
Fujifilm X 17.7 mm APS-C 44 mm Bayonet Photography (Digital) Fujifilm X series mirrorless
Olympus Pen F 28.95 mm 35 mm half-frame Bayonet Photography
Olympus OM 46 mm 35 mm 46 mm Bayonet Photography
Four Thirds 38.67 mm 17.3 mm × 12.98 mm ~44 mm[A] Bayonet Photography (Digital) Olympus E
Panasonic Lumix DMC-L
Leica Digilux
Micro Four Thirds 19.25 mm 17.iii mm × 12.98 mm ~38 mm[A] Bayonet Photography (Digital) Olympus Pen & OM-D series
Panasonic G, GF, GX & GH Serial
Blackmagic Design Movie house Camera
KM 28 mm (27.80 mm?) 35 mm 44 mm Bayonet Photography Konica Hexar RF
Konica F xl.l mm 35 mm forty mm Bayonet Photography Konica F
Konica AR 40.l mm 35 mm 47 mm Bayonet Photography Konica Autoreflex
Samsung NX mini 6.95 mm ane" 38 mm Bayonet photography (Digital)
Samsung NX 25.five mm APS-C 42 mm Bayonet Photography (Digital)
Samsung Kenox 44.five mm 35 mm Bayonet Photography Manual focus only; in that location is just one compatible photographic camera - Samsung Kenox GX-one/Samsung SR4000.
Icarex BM 48.00 mm 35 mm mm Breech lock Photography Icarex 35S
D 12.29 mm 8 mm 15.88 mm (0.625 inch) 32 TPI Screw Cinematography
CS 12.52vi mm[3] 1/iii" , 1/2" 25.40 mm (1 inch) 32 TPI Screw Cinematography / Industrial
C 17.526 mm (0.69 inches) 1/2" , xvi mm, 2/3" , ane" 25.40 mm (ane inch) 32 TPI Screw Cinematography / Industrial
S (a.k.a. M12) No Flange. Back focal distance from <1mm to 12mm. 1/6"  to 1" 12 mm 0.five mm pitch Spiral CCTV, PCB Edmund Eyes μ-Video
Bolex Bajonet 23.22 mm 16 mm Breech lock Cinematography constructive focal distance 17.526 mm (0.69 inches) due to beam splitter behind mount flange (accepts C-mount lenses with adapter)
1/3" bayonet mountain 25 mm 1/three" (five.24x2.94) Bayonet Video JVC professional video cameras
M39 (a.1000.a. L-Mountain, LTM) 28.fourscore mm 35 mm M39 26 TPI Spiral Photography Leica M39 screw mountain
Narciss 28.8 mm sixteen mm M24 1 mm Screw Photography
1/2" bayonet mount 37.80 mm 1/2" (vi.97x3.92) Bayonet Video Not-Sony professional video cameras
Alpa 37.80 mm 35 mm 42 mm Bayonet Photography
Sony 1/2" Video 38 mm 1/ii" (half-dozen.97x3.92) Bayonet Video Sony professional video cameras
Aaton universal twoscore mm 16 mm 50 mm Breech lock Cinematography
Miranda bayonet/M44 41.5 mm 35 mm and APS-C Bayonet Photography Miranda Camera Company
Petriflex 43.5 mm 35 mm Breech lock Photography
Sigma SA 44.00 mm 35 mm 44 mm Bayonet Photography Sigma SA
Paxette 44 mm 35 mm M39 1 mm Screw Photography
Praktiflex 44 mm 35 mm M40 1 mm Screw Photography
Praktica 44.twoscore mm 35 mm 42 mm Bayonet Photography
Exakta, Topcon RE 44.7 mm 35 mm 46 mm Bayonet Photography
Zenit M39 45.2 mm 35 mm M39 i mm Screw Photography
M37 45.46 mm 35 mm 37 mm ane mm Screw Photography Asahiflex
M42 45.46 mm 35 mm 42 mm 1 mm Screw Photography Praktica,[4] Pentax, Zenit
B4-mount 48 mm 2/3" (9.vix5.4) Bayonet Video Professional and broadcast video cameras
Praktina 50 mm 35 mm 46 mm Breech lock Photography
T-Thread (Very earliest type) fifty.7 mm 35 mm M37 0.75mm Spiral Photography Tamron
Adapt-A-Matic l.7 mm 35 mm 54 mm Bayonet Photography Tamron
Adaptall & Adaptall-2 50.vii mm 35 mm 54 mm Bayonet Photography Tamron
Arri standard 52 mm 35 mm and xvi mm 64 mm Tab lock Moving pictures
Arri bayonet 52 mm 35 mm and 16 mm 64 mm Bayonet Cinematography
Arri PL 52 mm 35 mm and 16 mm 54 mm Breech lock Cinematography
Arri LPL 44 mm Arri LF 62 mm Breech lock Cinematography
Arri Maxi PL 52 mm 70 mm 64 mm Cinematography
T 55 mm 35 mm 42 mm 0.75 mm Screw Photography Tamron
YS Auto T-Thread 55 mm 35 mm 42 mm 0.75 mm Spiral Photography Sigma Corporation
T-thread 55 mm 35 mm 47 mm 0.75 mm Spiral Photography Tokina
H-Mount 55 mm 35 mm 47 mm 0.75 mm Spiral Photography Hanimex (rebranding of Tokina M47)
Panavision PV 57.15 mm 35 mm 49.5 mm Breech lock Cinematography
B3-mount 58 mm 2/3" Reverse bayonet Video Ikegami
Mitchell BNCR 61.468 mm 35 mm 68 mm Breech lock Cinematography
Zeiss Panflex 5522/23 for Contax RF 64.50 mm 35 mm Double bayonet Photography
Kowa Six/Super 66 79 mm 6×six Breech lock Photography
Hasselblad 74.9 mm half dozen×6 69 mm Bayonet Photography
Hasselblad Xpan 34.27 mm 35 mm panoramic 46 mm Bayonet Photography
Bronica ETR 85 mm six×4.five mm Bayonet Photography
Bronica RF mm half-dozen×four.v mm Bayonet Photography
Bronica SQA 101.7 mm 6×half dozen 57 mm Bayonet Photography
Bronica GS1 85 mm 6×7 fourscore.five mm Bayonet Photography
Mamiya 645 63.three mm 6×iv.5 62 mm Bayonet Photography
Mamiya 6 56.2 mm (approx.)[5] 6×6 mm Bayonet Photography
Mamiya 7/7II 59 mm (approx.) 6×7 49 mm[6] Bayonet Photography
Mamiya RZ67 105 mm half-dozen×7 60 mm Bayonet Photography
Mamiya RB67 112 mm 6×vii 60 mm Bayonet Photography
Mamiya ZE 45.5 mm 35 mm Bayonet Photography
Mamiya/Sekor E 43.5 mm 35 mm 49 mm Bayonet Photography
Pentax 645 70.87 mm 6×4.5 61.ii mm Bayonet Photography
Pentax 6x7 84.95 mm 6×vii 72 mm Bayonet Photography
Pentacon Half dozen 74.1 mm 6×6 60 mm Breech lock Photography
Fujifilm Thousand 26.seven mm 43.8x32.9 mm 65 mm[7] Bayonet Photography (Digital) Fujifilm GFX series
Rolleiflex SL66 102.eight mm 6×six Bayonet Photography
Rolleiflex SL35 44.46 mm 35 mm 46 mm Bayonet Photography
RMS thread, society thread 150/180 mm 0.8", Whitworth 36 tpi Screw Microscope older microscopes
Leica
Nikon Biological
Unknown M25 0.75 mm Screw Microscope
BD Mount Unknown M26 0.seven mm Screw Microscope Mitutoyo
Olympus BD
Nikon BD
Zeiss Unknown M27 0.75 mm Screw Microscope

For small camera modules, used in due east.k. CCTV systems and automobile vision, a range of metric thread mounts exists. The smallest ones tin can be found also in due east.g. cellphones and endoscopes. The nearly mutual by far is the M12x0.5, followed by M8x0.v and M10x0.5.[8]

  • M4.2x0.2 (one/7" sensors)
  • M4.6x0.25 (one/5", two.4mm, 3.8mm sensors, industrial endoscopes)
  • M5x0.35 (1/6", 1/v" sensors)
  • M5.5x0.35 (1.7", 1/5.8", 1/five", ane/4" sensors)
  • M6x0.35 (one/4", five.2mm, four.85mm sensors)
  • M6.4x0.25 (1/three" sensors)
  • M7x0.35 (i.8", i.seven", 1/6", i/5", 1/4", i/3.6", i/3.2", one/two.vii", 4.85mm sensors)
  • M8x0.35 (1/4", one/3" sensors)
  • M8x0.five (ane/5", 1/four", one/3" sensors; sometimes occurs in diode laser modules)
  • M9x0.5 (i/2.7", 1/3", 1/3.2" sensors; also commonly encountered in diode light amplification by stimulated emission of radiation modules)
  • M10x0.5 (one/4", 1/3" sensors)
  • M12x0.5 (the S-mountain, listed in the tabular array)
  • M22x0.5 (1/1.two" sensors)

Focusing lens mount [edit]

The axial adjustment range for focusing Ultra wide angle lenses and some Broad-bending lenses in big format cameras is usually very pocket-sized.

So some manufacturers (eastward.g. Linhof) offered special focusing lens mounts, so-called broad-angle focusing accessories for their cameras. With such a device, the lens could be focused precisely without moving the entire front standard.

Secondary lens mount [edit]

A teleconverter attached betwixt a camera and its objective

Secondary lens refers to a multi-element lens mounted either in front of a camera's principal lens, or in between the camera body and the chief lens.

(D)SLR camera & interchangeable-lens manufacturers offer lens accessories like extension tubes and secondary lenses similar teleconverters, which mount in between the camera body and the primary lens, both using and providing a principal lens mount. Various lensmakers likewise offer optical accessories that mount in front of the lens; these may include broad-angle, telephoto, fisheye, and close-up or macro adapters.

Canon PowerShot A and Catechism PowerShot G cameras have a congenital-in or not-interchangeable primary (zoom) lens, and Canon has "conversion tube" accessories available for some Canon PowerShot camera models which provide either a 52mm or 58mm "accessory/filter" spiral thread. Canon'due south close-upwards, wide- (WC-DC), and tele-conversion (TC-DC) lenses take 2, 3, and 4-element lenses respectively, so they are multi-element lenses and not diopter "filters".

Lens mountain adapters [edit]

This lens adapter is a passive adapter designed for mounting a Nikon F mount lens to a Micro Four Thirds camera.

Lens mount adapters are designed to attach a lens to a camera torso with non-matching mounts. By and large, a lens can be easily adapted to a camera body with a smaller flange focal distance past merely calculation space betwixt the camera and the lens. When attempting to adapt a lens to a camera torso with a larger flange focal altitude, the adapter must include a secondary lens in order to recoup. This has the side effect of decreasing the amount of light that reaches the sensor, as well as adding a crop factor to the lens. Without the secondary lens, these adapters will function every bit an extension tube and will not be able to focus to infinity.[9]

Run across also [edit]

  • ISO metric screw thread
  • Lens lath

Notes [edit]

^ A: The authoritative normative source for 4/iii standards information is Four-Thirds.Org and non third-party reviews.

4/3's published facts:

  • "Size of the 4/3-blazon Sensor: The standard diagonal length of the sensor is 21.63 millimetres (0.852 in). It is half that of 35-mm motion-picture show format (36 millimetres (1.four in) x 24 millimetres (0.94 in) = 43.27 millimetres (i.704 in)) The prototype circle of the interchangeable lens is specified based on this diagonal length. The focal length is about a half that of a 135 film camera lens assuming the same angle of view."[x]
  • "The foundation for the high picture quality of the Four Thirds organization is the lens mount, which is about twice the diameter of the image circle."[11]
  • "Differences between 4 Thirds System mountain and Micro Four Thirds System mount: Mount diameter reduction; Equally a result of inquiry aimed at facilitating the design of compact, lightweight lenses while maintaining the electric current strength, the outer diameter of the lens mount has been reduced by approx. six millimetres (0.24 in). ... the Micro 4 Thirds Organization ... specifies the optimum flange back length required to reduce camera size and thickness, assuming the omission of the mirror box. The flange back length has been reduced to about 1/2 that of the Four Thirds Organisation."[12]

So:

NOTE: Some published reviews of four/three instead cite the (female) "outside diameter" of the lens or mount as ~50mm (and micro-iv/3 as ~44mm),[13] and non the appropriate major bore (D) ~44mm which is the camera body's female person mount inside-diameter and the lens'southward male mount exterior-diameter (micro-4/3 ~38mm).

References [edit]

  1. ^ "Camera Story – 1987–1991 EOS". Canon. Archived from the original on 2008-07-24. Retrieved 2008-07-22 .
  2. ^ "Debut of Nikon F". Nikon. Archived from the original on 2020-08-12. Retrieved 2020-10-26 .
  3. ^ Hornberg, Alexander (2007-02-27). Handbook of Machine Vision. John Wiley & Sons. ISBN9783527610143.
  4. ^ The M42 (Praktica) mount is sometimes referred to as a "P" thread. See, east.yard., "Questar Corporation: Photographic Photographic camera Adapters "P" Thread". Retrieved 2017-03-01 .
  5. ^ "Mamiya 6". www.kenrockwell.com.
  6. ^ "Camera Mounts Sorted by Annals". www.graphics.cornell.edu . Retrieved 2018-08-23 .
  7. ^ "FUJIFILM GFX 50S, Features". Fujifilm. Retrieved 2018-05-23 .
  8. ^ "cctvopticallens-m12 and cs mountain lens provider". www.cctvopticallens.com . Retrieved 3 April 2018.
  9. ^ "Lens mount compatibility chart". Retrieved 2016-11-29 .
  10. ^ "Most Iv Thirds, Standard, Whitepaper (Summary of Standard)". Four Thirds System. Archived from the original on 2009-03-07. Retrieved 2008-08-11 .
  11. ^ "Well-nigh 4 Thirds, Standard, Benefits of 4 Thirds". Four Thirds Organisation. Retrieved 2008-08-11 .
  12. ^ "Micro Four Thirds, Standard, Whitepaper (Summary of Standard)". 4 Thirds Organization. Retrieved 2008-08-11 .
  13. ^ "Olympus and Panasonic announce Micro 4 Thirds". Digital Photography Review.

Sources [edit]

  • Markerink, Willem-Jan. "Camera mounts & registers".

External links [edit]

  • SLR Mount Identification Guide
  • List of Camera, Mountain Blazon and Annals for Mechanical & Optical Instruments
  • https://web.archive.org/web/20081221083400/http://medfmt.8k.com/, Camera mounts & registers from Robert Monahan Medium Format Photography Megasite
  • http://world wide web.markerink.org/WJM/HTML/mounts.htm, Camera mounts & registers from Willem-Jan Markerink
  • Camera Mounts Sorted past Register
  • Alphabetical List of Camera Mounts
  • Nikon Lens Nomenclature – a study in frustration
  • Adaptall-2.com
  • DPReview Hands-on preview of Fujifilm 10-Pro1
  • DPreview Hands-on preview of Canon EOS 1000
  • Standard: GOST 10332-72 (in Russian) – M42×i/45.v, M39×one/28.8
  • Standard: GOST 10332-63 (in Russian) – M39×1/45.ii (aka «Z39»), M39×i/28.viii, bayonet «C» (cameras: «Zenit-5», «Zenit-6», «Zenit-7»), bayonet «Zenit-7» (in Russian)

Source: https://en.wikipedia.org/wiki/Lens_mount

Posted by: murphytorat1997.blogspot.com

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